Kit Kelen

20140719_172406Christopher (Kit) Kelen is a well known Australian poet, scholar and visual artist, and Professor of English at the University of Macau, where he has taught Creative Writing and Literature for the last fourteen years. Volumes of his poetry have been published in Chinese, Portuguese, Italian, Swedish and Filipino languages. Japanese and Indonesian editions are currently in preparation

Kit Kelen stayed for 2 months in Messen, last summer, together with the artist Carol Archer.

 

Here are some of his poems and paintings created during his residence in Messen.

 

Boulders of Ålvik

must each have once tumbled into position
a river of ice ground these pebbles out
toys tall gods have tossed aside

now slugs cross fat with the season of life
and bitumen creeks pass

boulders of Ålvik each mossed to its spot
are alive with the place
snow knows them – and the running stream

they are bracken swept, fern beset
beside steep uphill climb
flowers have said summer over them

it’s here gulls perch to sing a sea
they fish fjord and balance boulders
here in my antipodes

runes in them are deeper than reading

in their few dry moments someone sat
saw turf roofs rise and crooked chimneys
long ships launch, clouds slant

carpet of needles then snow’s quilt
white as winter’s black all night

the lapping’s all below
and there’s more foliage sidling up
or tucking under lichen

once in a while a tree will try one
suggesting soil enough
that’s something like a royal reign

lightning strikes a dynasty
or nations fall and rise
there is a core of knowing though
the ice will come again

20140625_105847

tree, rock, cloud and me

trees become rocks
and rocks turn tree
too slow to grow

slugs will be roots
if they look too hard

leaves blow off
a breeze

clouds stand idly
they are the slowest
thing in the sky

blink
and you’ll
find yourself
gone

20140626_173716

tre, stein, skyer og meg

(Nynosk translation by Bjørn Otto Walevik)

tre vert stein
og stein vert tre
veks for seint sneglar

vert til røter
viss dei ser for hardt

blad bles av
ein bris

uverksame skyer
seinaste

tingen på himmelen

blunk
og du vil
finne
deg sjølv borte

20140627_234823

on such a day

on the day
you hang your bedding out the window
and a towel to dry on top
air the stairs with a wide open door

on such a day
your hear hoses
passing gardens

old folk sit on a bench
to soak a dry wall
make petrichor

with purposeful stride
the one with the rake – leaf warrior
and even that’s painted bright

bicycle goes by with a nod
it’s the age of the helmet yet

on such a day
yes there are clouds
they’re thinking about it

there’s a sun
reluctant to set
afternoon’s evening
and evening goes on all night

it is the day of porpoises passing
not so ostentatious though
one fin at a time
turn by like a wheel

it’s glass
and the kraken
lies deeper than thought

blue tractor gets socks wet
bringing home the boat

oak and birch and aspen
pine and fir and spruce
each of them older than dreaming
still to learn their names

a toilet grows flowers
on the front lawn
a bicycle too

on such a day
one goes hunting for lines
they’re found
and out in the open

there’s mowing the lawn
and addressing one’s flowers

they bare their chests
who whisper engines
and with whom engines speak

moss has a thirst
on such a day
man washes his rock
and after, beer
as prescribed

it is true I’m pursued
by what isn’t a bee
by what I’d call a march fly
and I’d be wrong

on such a day
it’s the idea of dinner
draws indoors

the book hasn’t been written
to hold all one could do
on just such a day

I wonder if anyone can remember
precisely when peace was declared

*

at Messen

snow stands for true mountains
a midsummer sentry

a smoky man tends barbeque
such are the voices of the picnic garden
a fjord is part of the picture too

gathered like wildflowers
we ourselves are a summer
libation

pick cherries every ripening day

the rain hasn’t come yet
but here we are,
over the rainbow
already planning for after


*

at Messen
rumble is the road
or thunder
men’s laughter
the factory’s dinner going down
the kraken waking
earth gives a shake
a train but very far
nobody knows what

*

it’s the gods in everything
like to make us guess
a crow says no, flies off
and everything’s still here

Workshops til ungdomsskule i Messen

Several Ungdomsskule from Hardanger, were visiting Messen, the last few months. Guest artists and local artists gave workshops to the pupils.

The workshops given until now:

Gökçen Dilek Acay (Turkey) – Soundeffect for film workshop

Nicolas Norris (USA) – drawing with poetry workshop

Hans Pulles (The Netherlands) – Folding 3D form workshop

Ross Donlon (Australia) – Poetry workshop

 

Busy folding at Hans workshop

Busy folding at Hans workshop

Result-folding

Results folding workshop

At the Poetry workshop of Ross Donlon

At the Poetry workshop of Ross Donlon

Translating-poem

Translating the poem into nynorsk

Living in a hologram

When I first came to Messen in Spring, 2011 I wasn’t sure what I would find.
I wondered if I would find anything. Was it a hoax, a scam, the fjord pictures photo-shopped? A hologram? Would there be nothing but a mocking face on a wall? Fooled you!

And I had come a long way to be fooled, as far as Ålvik is from Castlemaine, Victoria, Australia , a long way.

But there instead at the bus stop waiting to meet me was caretaker, Hans – and soon after I met his wife, Simone and little boy, Merlijn. Not long after that there was a friendly host of Dutch artist – settlers living in Hardanger and a little later Ingunn and Els the co-ordinators and the warm-hearted Norwegian artists from Hardingpuls, the local artists’ group. The current artist-residents and later newcomers followed.

Now, in 2014, I am here for the third time, again for three months  and again I am finding Messen a most pleasant and inspiring place to work as a writer.

There have been changes in the four years, the most notable structural change being that Messen is now owned by Kunstnarhuset Messen foundation, whereas before it was privately owned and up for sale. It says something about Norway and Kvam that the state thought this concept of an international artists’ house in a Hardangerfjord factory town worth supporting.

Why do I enjoy being here so much? I sometimes tell friends it’s like a luxury resort without the luxury resort. What you do have are wonderful views over the fjord and up the hillsides that make for uplifting walks – and places to swim when the weather allows. You also have a quiet and stimulating place to work as an artist – large light-filled studios if you’re a visual artist, quiet, comfy writing studios if that’s your craft. Bedrooms are comfy simple – the kitchen is roomy.

Add to this mix a coming and going of artists from around the world, the chatting and sharing in an otherwise self-catering , washing and cleaning  residency. As an added bonus, caretakers Simone and Hans, are the warmest and supportive of hosts (soon friends) and artists themselves, who will offer to include you in family celebrations, a drive to a nearby place of interest and more. Director Ingunn van Etten and the Board of Messen are watchful foundations of the concept.

Personally, I have made firm friends from the artists whose lives I’ve shared and professionally (while that word sits less comfortably) I have written good poems here, one winning an international poetry prize – Midsummer Night – set in Alvik of course and written ekphrastic poems drawn from artists’ work which have been later published in Australia in fine journals. With time to read, walk, chat and reflect, it’s an ideal place for this poet.

I like to think that I can continue coming so long as they’ll have me  – and the tolls don’t get me first!

Ross DonlonRoss Donlon-net

www.rossdonlon.com

Can we speak with light using our body?

Can we speak with light using our body?
This was a central question I hoped to answer when I arrived at Kunstnarhuset Messen this June.
If light is language, it is always speaking into me.
And what am I saying with it?
Can one understand the sun from a rocky shore?
Can one understand distance through an outstretched arm?

*

I knew that I would uncover something during my time at Messen, but I could hardly have fathomed the magnitude, beauty and wealth of my discovery. The natural beauty of the region invites meditative contemplation, and the long days helped me develop a stronger appreciation for the subtleties of the constantly shifting present moment. The vertical presence of the craggy mountains and their silent snowy caps were well balanced by the horizontal complexities of the meandering fjord and its shimmering waves. During my time there, these snow caps quietly dissipated into the glittering falls feeding the endless blue fjord. And thus a season moved into my own veins.

With rather limited mobility (the bus only runs about every 2 hours and the nearest coffee shop is about 25 minutes away) I became intimately familiar with my immediate surroundings. I hiked up the mountain over the village several times and was constantly stunned by the vistas. The terrain shifts noticeably when you approach the tree line, moving from woody abundance into a stronger sense of brutality and spareness in the heights. I found myself small and welcome in them. I found myself intensely alone and was grateful.

I came to continue my work on a large cross arts project that explores sunlight, displacement, and devastation. It requires me to move meditatively in the light, and with 18 hour days, I had ample opportunity to discover what the light was speaking into me. In fact, I tried to inundate myself with this long daylight as much as I could. A family member had packed a sleeping mask for me since I have a hard time sleeping in Philadelphia due to the ambient street light coming in through my windows. While at Messen, however, I quickly put that aside and opted to soak myself in the natural light, even moving my mattress to the floor under the window when I slept. I found that within just a few days, I was sleeping incredibly well. Dreamlessly. With blue resilience.

*

It is hard to describe all the things I discovered and found in Messen. The wonderful artists I met, the quiet beauties I experienced, the long walks filled with the humming chatter of bees. The kindness and welcome, the friends I made.

But most essentially, I experienced a profound peace.

And this has led me to my outstanding discovery–the sun’s light wishes us well. It wants to accomplish life with us.

To speak this daylight in our bodies, we need only assent. To confirm the radiant blue gold distance pouring through ourselves, too.

I stayed at Messen, but Messen now stays in me. It has opened this channel inside me, confirmed in a solar display. I feel it as firmly as the word “home” inside my spine. I hope to return.

May we all find such aerial kindness inside.

Sueyeun Juliette Lee
silentbroadcast.com

The Bumblebee in Norway

Linda Molenaar creates accessible objects which creates questions. In their simplicity here ‘animal-objects’ mirror you, not critically or socially, but in stillness; one that invites you to take a close look at yourself. The longer you look, the more you see.

During the residency in Messen she created the bumblebee (work is still in progress) for her next performance in Germany this summer.

Hommel+in+Noorwegen

photo: Annana Suwalowska

Here are some pictures from her ‘Horse’ performance, recently in The Garden of Delights in Wildenborch, the Netherlands.

Paard+op+stelten

photo: maik te Veer

Varend+paardje

photo: Mechteld de Jongh

Dreams wanted

Anna Suwalowska from Poland, makes
paintings, drawings, photography, collage and installations.

In Messen she was mainly working on her dream project. She asked the local people, to write down their dreams and post them in the dreambox in the library. She would use the dreams as inspiration, for her drawings and show the result at her presentation in Messen.
www.annasuwalowska.com

Dream_BOXAnna presentasjon2

 

the presentation in Messen

Anna presentasjon4

Anna presentasjon3

Alvik_wanted

Pasta on the fire

Giovanni Calabrese from Italy is a painter and works with architecture, but above all he is a social artist!
He organized a pasta-on-the-fire-afternoon, after italien tradition, and invited the whole village, to join and have a taste.

www.giovanni-calabrese.com

Giovanni22

Giovanni and Snowy (resident from Hong Kong) working hard to make dinner for the villagers.

 

Giovanni33

 

Cassels&Clark

CC

www.casselsandclark.co.uk

The beautiful silence

lookingRIGHTandlookingLEFT

lookingRIGHTandlookingLEFT

atelieratelier

atelieratelier

messen is wonderful…
it is a beautiful, silence and inspiring place.

my working place was absolutly great.
I had a very concentrated and lovely time.

highly recommended
portrait

elisabeth altenburg (austria)
guestartist in Messen, november 2013

Another color

“In countries where the light has another color
faces along the street at dusk
can turn to pearls in a slow indigo sea…”
by Norwegian Poet Rolf Jacobsen

Arriving in Ålvik late on our first night I encountered “another color”. Although tired after the journey I was sleepless with excitement, anticipation and eagerness to experience what Kunstnarhuset Messen had to offer.

I gazed out the window into blue…blueness…blueancholy…another color like one I had never seen before. The still waters of the Hardangerfjord were saturated with a true midnight blue…a chord of music played on the eye.  I took a photo.

Anna_Glynn_artist_Alvik_Hardangarfjord_Norway_blue_night_large

I thought this color was an imagined one and that one of my favourite paintings ‘Winter Night in Rondane’ by Harald Sohlberg was a beautiful but make-believe creation. The next day the evidence on my camera proved I was so wrong! Later in my time in Norway I was also fortunate enough to see the original Sohlberg work in Oslo and stand in awe before it.
Anna glynn-painting Harald

This was the beginning of a wonderful spring and summer of 2013 when Peter and I were lucky enough to stay at Kunstnarhuset Messen as Artist & Scientist in Residence. It was an enriching experience for us not only in our professional work but also on a personal level to meet the local people and spend time exchanging ideas and stories.

Kunstnarhuset Messen has a wonderful vision for the community and region. We were privileged to be able to spend time there and be embraced into the program and by the Norwegian culture. The influence on the artworks I developed whilst I was artist in residence is also apparent and these works were shown in a solo exhibition at a leading gallery in Hong Kong later in the year.

At Messen I also had time to experiment with material for my multimedia MEOAW Project. I spent many hours filming and recording members of the local community whilst they humoured my strange obsession. The volunteers vocalised the onomatopoeic words for common animals. Footage from this was used in a multimedia exhibition called Wonderment shown at Lingnan University in Hong Kong in 2013.

http://annaglynn.com/wonderment.html
http://annaglynn.com/MEOAWproject.html

anna_glynn_artwork_open_studio_Kunstnarhuset_Messen

There are almost too many things to mention about our time at Kunstnarhuset Messen
…listening to Norwegian folk music
…reading the poetry of Rolf Jacobsen
“The veil of birds around the earth can not be seen from the satellites
but is there just the same, as feather-light tremor of beating wings:
small hammering hearts and lightning sharp double lenses
photograph our days like the orbiting spies, but they don’t tell…”
…long mountain walks
…spring galloping along, dragging late fruit blossoms to open with impatience
…snuggling on the couch reading Peer Gynt
…time at the local library reading about Norwegian culture
…mowing giant snail designs into the lawn
…composing music with me on the piano and Bjørn Otto Wallevik on his guitar
…catching cod
…exchanging ideas with the other artists
…listening to Susan practice her fiddle
…visiting summer houses
…travelling on boats
…making new friends
…listening to music by Geirr Tveitt
…reading poetry by Olav H. Hauge

For us Kunstnarhuset Messen provided a safe and nurturing environment to develop new works and skills and collaborate with local artists and the community…a place for artists from around the world to meet and exchange ideas…the beginning of new ongoing conversations and relationships that are important to the development of cultural exchange…a unique resource to be cherished!

Thank you Kunstnarhuset Messen and especially Ingunn. Like migratory birds we would willingly ‘fly’ back.
Anna Glynn & Peter Dalmazzo
www.annaglynn.com

No-one has marked out the road
you are to take
out in the unknown
out in the blue.

This is your road.
Only you
will take it. And there’s no
turning back.

And you haven’t marked your road
either.
And the wind smoothes out your tracks
on desolate hills.

Your Way by Olav H. Hauge

Anna Glynn & Peter Dalmazzo – Australia
Artist & Scientist in Residence Summer 2013
Kunstnarhuset Messen, Ålvik, Norway